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vaikundapuram movie story review and update?

Having been accustomed to watching epics, plays and films for many years, it can be said that no other language film industry has the ability to recreate and tell an interesting story. All the leading actors of Telugu have acted at least once in all these genres, from family films that squeeze the sentiment of mother, father, sister and brother, to action films that destroy everyone like local criminals and international extremists.

In addition, the stories of separating the newborn baby from the parents in the hospital cradle would have been told a thousand times. After NDR, Chiranjeevi and Nagarjuna all finished acting in this genre story, now Allu Arjun has taken it in hand through his film ‘Ala Vaikundapuram Lo’. But, Allu has done it in his own stylish and trendy style

Ramachandran and Clerk Valmiki, a senior official working in the same company, give birth to boys on the same day in the same hospital. After creating some confusion, both children are replaced by Valmiki’s maneuver. Director Trivikram has directed Allu Arjun’s Mas Masala template on the consequences of his son’s dream of becoming a great king.

Trivikram completely differentiated Ala Vaikundapuram Low 'with an unexpectedly soft climax that this could be the only possible end to such a situation, without grinding the dough that eventually the family lived happily ever after together’. Although the scenes at the beginning of the film are easy to guess, the sequel, the sequel, and the pre-final twist all add to the story.

However, in the opening scenes of the film, the chaos between Pantu (Allu Arjun) and Amulya (Pooja Hegde) infuses unnecessary screen glamor into the way Pooja was portrayed. It is an intolerable contradiction to utter the verse `No Means No ‘as it is not possible for women to say no and no in the scenes that follow, after making Pooja’s character obscene in the first place.

Allu Arjun’s pranks on retro songs from Telugu cinema at an important board meeting and on an old folk song from the climax fight scene make the film enjoyable from the beginning. Knowing the truth, the verse that speaks to her father about freedom is the direct opposite emotion to those pranks.

Not only Allu’s verses, but also Raj’s pre-climax verse, the dialogue between Tabu and Jayaram throughout the screenplay, Trivikram has added depth to this commercial cinema through the verses. Although the scene where he stands at a distance and cries for his real mother is reminiscent of the song `Commander ” Icon Mother ‘, this version of Allu Arjun is also stressful.

The character has added that he wants a villain for the person in the film. However, the way Samuthirakani has given life to the character, his looks and facial expressions all do justice to the character. Although Samuthirakani is the main villain of the film, Murali Sharma, who plays Valmiki, is the villain throughout the film.

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